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The Hunter (Cal Hooper #2)

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“I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.” ― Tana French, Faithful Place “I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.” ― Tana French, In the Woods “I am not good at noticing when I'm happy, except in retrospect.” ― Tana French, In the Woods “Our entire society is based on discontent. People wanting more and more and more. Being constantly dissatisfied with their homes, their bodies, their décor, their clothes, everything – taking it for granted that that’s the whole point of life. Never to be satisfied. If you are perfectly happy with what you got, especially if what you got isn’t even all that spectacular then you’re dangerous. You’re breaking all the rules. You’re undermining the sacred economy. You’re challenging every assumption that society is built on.” ― Tana French, The Likeness “What I am telling you, before you begin my story, is this -- two things: I crave truth. And I lie. ” ― Tana French, In the Woods “There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.” ― Tana French, The Likeness “I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack ” ― Tana French, The Likeness “When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them” ― Tana French, The Likeness “I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better--Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.” ― Tana French, In the Woods “My father told me once that the most important thing every man should know is what he would die for.” ― Tana French, Faithful Place “Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.” ― Tana French, The Likeness “Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.” ― Tana French, Broken Harbour “Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism; it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.” ― Tana French, The Likeness “The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.” ― Tana French, In the Woods “You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat- out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.” ― Tana French, The Secret Place “Time works so hard for us, if only we can let it.” ― Tana French, The Likeness “Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.” ― Tana French, In the Woods “Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened.” ― Tana French, In the Woods “She informed me, matter-of-factly, that she was old enough to know the difference between intriguing and fucked up. "You should go for younger women," she advised me. "They can't always tell.” ― Tana French, In the Woods “Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.” ― Tana French, Broken Harbour “Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.” ― Tana French, The Likeness “Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.” ― Tana French, Faithful Place “I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?” ― Tana French, Faithful Place “Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.” ― Tana French, The Likeness “For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.” ― Tana French, In the Woods “I am, of course, romanticizing; a chronic tendency of mine.” ― Tana French, In the Woods “I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.” ― Tana French, The Likeness “Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.” ― Tana French, The Likeness “Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.” ― Tana French, The Likeness “We think about mortality so little, these days, except to flail hysterically at it with trendy forms of exercise and high-fiber cereals and nicotine patches.” ― Tana French, In the Woods “I am not good at noticing when I'm happy, except in retrospect. My gift, or fatal flaw, is for nostalgia. I have sometimes been accused of demanding perfection, of rejecting heart's desires as soon as I get close enough that the mysterious impressionistic gloss disperses into plain solid dots, but the truth is less simplistic than that. I know very well that perfection is made up of frayed, off-struck mundanities. I suppose you could say my real weakness is a kind of long-sightedness: usually it is only at a distance, and much too late, that I can see the pattern.” ― Tana French, In the Woods “I love beautiful; always have. I never saw why I should hate what I wish I had. Love it harder. Work your way closer. Clasp your hands around it tighter. Till you find a way to make it yours.” ― Tana French, The Secret Place “Sarte was right, Hell is other people” ― Tana French, The Likeness “Absence of evidence is not evidence of absence.” ― Tana French, In the Woods “A bore or an uggo might manage not to get up anyone's nose, but if a girl's got brains and looks and personality, she's going to piss someone off, somewhere along the way.” ― Tana French, Faithful Place “This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.” ― Tana French, The Likeness “People you knew when you were teenagers, the ones who saw your stupidest haircut and the most embarrassing things you've done in your life, and they still cared about you after all that: they're not replaceable, you know?” ― Tana French, Broken Harbour “I had always felt that I was an observer, never a participant; that I was watching from behind a thick glass wall as people went about the business of living-- and did it with such ease, with a skill that they took for granted and that I had never known.” ― Tana French, The Likeness “I found out early that you can throw yourself away, missing what you've lost.” ― Tana French, The Likeness “Everyone else we knew growing up is the same: image of their parents, no matter how loud they told themselves they'd be different” ― Tana French, In the Woods “But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.” ― Tana French, The Likeness “I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down.” ― Tana French, Broken Harbour “People need a moral code, to help them make decisions. All this bio-yogurt virtue and financial self- righteousness are just filling the gap in the market. But the problem is that it's all backwards. It's not that you do the right thing and hope it pays off; the morally right thing is by definition the thing that gives the biggest payoff.” ― Tana French, In the Woods “It took my breath away, that evening. If you've ever dreamed that you walked into your best-loved book or film or TV program, then maybe you've got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you've been watching for so long, from so far away, open their circle and sweep you into it.” ― Tana French, The Likeness “No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved good-bye and walked out of my life tomorrow, I'd still be the same person I am today.” ― Tana French, The Trespasser “If she had hurt me, I could have forgiven her without even having to think about it; but I couldn't forgive her for being hurt.” ― Tana French, In the Woods “She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.” ― Tana French, The Secret Place “This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.” ― Tana French, The Likeness “Sometimes I think about the sly, flickering line that separates being spared from being rejected. Sometimes I think of the ancient gods who demanded that their sacrifices be fearless and without blemish, and I wonder whether, whoever or whatever took Peter and Jamie away, it decided I wasn't good enough.” ― Tana French, In the Woods “We had no one else to learn this from- none of our parents were shining examples of relationship success- so we learned this from each other: when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming.” ― Tana French, Faithful Place “There was a time when I believed I was the redeemed one, the boy borne safely home on the ebb of whatever freak tide carried Peter and Jamie away. Not any more. In ways too dark and crucial to be called metaphorical, I never left that wood.” ― Tana French, In the Woods “But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.” ― Tana French, Broken Harbour “How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it’s against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny’s cluttered attic. She painted my fingernails gold and dared me to leave them that way for work…We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us.No.” ― Tana French, In the Woods “That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice- skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.” ― Tana French, The Likeness “Now death is uncool, old-fashioned. To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself.” ― Tana French, In the Woods “My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind” ― Tana French, In the Woods “I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.” ― Tana French, The Likeness “We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to.” ― Tana French, Faithful Place “Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.” ― Tana French, In the Woods “In all your life, only a few moments matter. Mostly you never get a good look at them except in hindsight, long after they've zipped past you: the moment when you decided whether to talk to that girl, slow down on that blind bend, stop and find that condom. I was lucky, I guess you could call it. I got to see one of mine face-to- face, and recognize it for what it was.” ― Tana French, Faithful Place “Trust your instincts, Dad always says. If something feels dodgy to you, if someone feels dodgy, you go with dodgy. Don’t give the benefit of the doubt because you want to be a nice person, don’t wait and see in case you look stupid. Safe comes first. Second could be too late.” ― Tana French, The Secret Place “One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.” ― Tana French, Faithful Place “I can't explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.” ― Tana French, In the Woods “We think of mortality so little these days...I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones.Remember, pilgrim, as you pass by,As you are now so once was I:As I am so will you be...” ― Tana French, In the Woods “I’m amazed this guy manages to get out of bed in the morning without working himself into a panic attack over the chance that he might trip on the bath mat and stab himself through the eye socket with his toothbrush and be left with a permanent twitch that’ll ruin his chances of landing an airplane safely if the pilot has a heart attack and doom hundreds to a fiery death.” ― Tana French, The Trespasser “This girl: she bent reality around her like a lens bending light, she pleated it into so many flickering layers that you could never tell which one you were looking at, the longer you stared the dizzier you got.” ― Tana French, The Likeness “There has always been something enigmatic about Cassie. This is one of the things I like in her, and I like it all the more for being, paradoxically, a quality that isn't readily apparent, elusiveness brought to so high a level it becomes almost invisible. She gives the impression of being startlingly, almost childishly open-- which is true, as far as it goes: what you see is in fact what you get. But what you don't get, what you barely glimpse: this is the side of Cassie that fascinated me always. Even after all this time I knew there were rooms inside her that she had never let me guess at, let alone enter. There were questions she wouldn't answer, topics she would discuss only in the abstract; try to pin her down and she would skim away laughing, as nimbly as a figure skater.” ― Tana French, In the Woods “Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.” ― Tana French, Faithful Place “You can be a rich scumbag just as easily as a poor scumbag, or you can be a decent human being either way. Money’s got nothing to do with it. It’s nice to have, but it’s not what makes you who you are.” ― Tana French, Faithful Place “The idea was flawed, of course," he said irritably. "Innately and fatally flawed. It depended on two of the human race's greatest myths: the possibility of permanence, and the simplicity of human nature. Both of which are all well and good in literature, but the purest fantasy outside the covers of a book. Our story should have stopped that night with the cold cocoa, the night we moved in: and they all lived happily ever after, the end. Inconveniently, however, real life demanded that we keep on living.” ― Tana French, The Likeness “...and our footsteps rang and echoed till it sounded like the room was full of dancers, the house calling up all the people who had danced here across centuries of spring evenings, gallant girls seeing gallant boys off to war, old men and women straight-backed while outside their world disintegrated and the new one battered at their doors, all of them bruised and all of them laughing, welcoming us into their long lineage.” ― Tana French, The Likeness “I used to think I sewed us together at the edges with my own hands, pulled the stitches tight and I could unpick them any time I wanted. Now I think it always ran deeper than that and farther, underground; out of sight and way beyond my control.” ― Tana French, The Likeness “Probably he was thinking what a boring bollocks I was. Plenty of people think the same thing- all of them are teenagers, mentally if not physically. Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more then enough excitement up its sleeve, ready to hit you as soon as you're not looking, without you adding to the drama.” ― Tana French, Broken Harbour “If I've learned one thing today, it's that teenage girls make Moriarty look like a babe in the woods." Detective Stephen Moran” ― Tana French, The Secret Place “I have always been caught by the pull of the unremarkable, by the easily missed, infinitely nourishing beauty of the mundane.” ― Tana French, Broken Harbour “The thing is, I suppose,” he said, “that one gets into the habit of being oneself. It takes some great upheaval to crack that shell and force us to discover what else might be underneath.” ― Tana French, The Witch Elm “I know this is one of the unthinkable taboos of our society, but I had discovered in myself a talent for a wonderful, unrepentant laziness, the kind most people never know after childhood. I had a prism from an old chandelier hanging in my window, and I could spend entire afternoons lying on my bed and watching it flick tiny chips of rainbow around the room. I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better-- Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.” ― Tana French, In the Woods “Some people should never meet.” ― Tana French, Faithful Place “... I stayed because running seemed too strange and too complicated. All I knew was how to fall back, find a patch of solid ground, and then dig my heels in and fight to start over.” ― Tana French, The Likeness “The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don't trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals....It lures us to leap off high cliffs, fling ourselves on towering waves, leaves behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.” ― Tana French, Broken Harbour “You can knock down a genuine belief, if you load up with enough facts that contradict it; but a belief that’s built on nothing except who the person wants to be, nothing can crumble that.” ― Tana French, The Trespasser “It was-this always seems to shock people all over again- a happy childhood. For the first few months I spent a lot of time at the bottom of the garden, crying till I threw up and yelling rude words at the neighborhood kids who tried to make friends. But children are pragmatic, they come alive and kicking out of a whole lot worse than orphanhood, and I could only hold out so long against the fact that nothing would bring my parents back and against the thousand vivid things around me, Emma-next-door hanging over the wall and my new bike glinting red in the sunshine and the half-wild kittens in the garden shed, all fidgeting insistently while they waited for me to wake up again and come out to play. I found out early that you can throw yourself away, missing what you've lost. ” ― Tana French, The Likeness “Self-immolation's a nice gesture, but it doesn't usually achieve very much.” ― Tana French, In the Woods “I told people I was taking a gap year, but the truth was that I wanted to do nothing, absolutely nothing, for as long as possible, maybe for the rest of my life.” ― Tana French, In the Woods “What I warn you to remember is that I am a detective. Our relationship with truth is fundamental but cracked, refracting confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies and concealment and every variation on deception.” ― Tana French, In the Woods “In the moment when that glass passed from his hand to mine, something sent up a high wild warning cry in the back of my mind. Persephone's irrevocable pomegranate seeds, Never take food from strangers; old stories where one sip or bite seals the spellbound walls forever, dissolves the road home into mist and blows it away on the wind.” ― Tana French, The Likeness “I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.” ― Tana French, The Likeness “I was a wrecked thing smeared over with dark finger marks and stuck with shards of nightmare, and I had no right there any more. I moved through my lost life like a ghost, trying not to touch anything with my bleeding hands, and dreamed of learning to sail in a warm place, Bermuda or Bondi, and telling people sweet soft lies about my past.” ― Tana French, The Likeness “I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old- fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.” ― Tana French, Broken Harbour “Ah, background checks,' I say. 'The foundation of every beautiful romance.” ― Tana French, The Trespasser

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The Hunter (Cal Hooper #2)

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